The Power and the Glory
Graham Greene’s The Power and the Glory (1940) is set in a southern state of Mexico, where an anti-clerical purge has the last priest on the run. He is heading towards the northern border, across which his Bishop has already journeyed, as have those priests who have escaped with their lives. However, this last priest is in many ways morally inferior to the general literary depiction of priests during the first half of the 20th century, and the Vatican noticed.
The book was denounced and the Vatican initiated a censorial investigation. Peter Godman, granted access to the investigation archives (not normally available for consultation by outside scholars) informs us of the concerns raised by the two censors.
The first censor viewed the book as "sad," because instead of God’s power and glory being on display, as the title of the novel suggests, all that is evident is despair. Godman summarizes his views:
‘Immoral’ or married priests; the ambiguity with which the central figure refers to God and the doctrines of the faith; the conviction of the virtue attributed to Protestants and atheists— all this made it impossible for Greene’s first reader in the Holy Office to see why the book was regarded as excellent literature.
The book should have never been written, according to censor, but since it had, Greene should be admonished by his Bishop and ‘"exhorted to write other books in a different tone, attempting to correct the defects of this one."
The second censor agreed with the first and thought that Greene should be told that "literature of this kind does harm to the cause of true religion [and that] in the future he should behave more cautiously when he writes…"
At this time, the high ranking Cardinal Giovanni Batista Montini inserted himself into the debate. Cardinal Montini (who would later become Pope Paul VI) wrote to Cardinal Pizzardo who was the head of the Holy Office (and in charge of all censorial investigations). Montini writes:
I see that it is judged a sad book. I have no objection to make to the just observations in the [censure of] this work. But it seems to me that, in such a judgment, there is lacking a sense of the work’s substantial merits. They lie, fundamentally, in its high quality of vindication, by revealing the heroic fidelity to his own ministry within the innermost soul of a priest who is in many respects reprehensible; and the reader is led to esteem the priesthood even if it is exercised by abject representatives…
Cardinal Montini suggested that a Monsignor De Luca be consulted for a third opinion before any action was taken. De Luca’s response was rather unambiguous. Greene did Rome credit, he stated, and that he was a sucsessor to Chesterton and Belloc (both English Catholic authors), and that in a country dominated by Protestantism, Greene strived to influence superior intelligences towards favouring Catholicism.
To condemn or even to deplore them (here De Luca refers to Waugh as well) would be looked at askance in England, and would deal a grievous blow to our prestige: it would demonstrate not only that we are behind the times but also that our judgment is lightweight…
In the case of Mr. Greene, his harsh and acerbic art touches the hearts of the least receptive people and reminds them, however gloomy they be, of the awe-inspiring presence of God and the poisonous bite of sin. He addresses those who are most distant and hostile—those whom we will never reach…
Msgr. De Luca’s advice was never taken, and Greene was reprimanded by his local Bishop and told to take on a more constructive tone in his Books with regard to the Catholic faith.
Greene took it relatively well. He sent off a letter to Cardinal Pizzardo, slyly apologizing for not writing back sooner, saying he couldn’t because he was in the Far East doing his utmost to chronicle the "difficulties faced by the heroic Catholics of Indochina [who are] confronted by the Communist menace." He states that the aim of his book had been to contrast "the power of the sacraments and the indestuctibility of the Church on the one hand with, on the ohter, the merely temporal power of an essentially Communist state." On the advice of his friend Archbishop David Matthew, Greene also wrote to Cardinal Montini making him aware of the situation, seemingly unaware that Montini had intervened the year previous.
While Greene had interesting relationships with each of the Pope’s from Pius XII to John Paul II (John Paul II being the only one he extremely disliked), Greene felt closest to Paul VI.
In a 1965 letter to his daughter Lucy (who actually has a ranch somewhere here in Alberta…), Greene excitedly describes a recent audience with the Pope.
At the beginning of the week I went up to Rome because the Pope had sent me a message saying that he would like to see me.
The Pope talked to me for twenty minutes about why he liked my novels! He had read The Power & the Glory, The Heart of the Matter, Brighton Rock,& Stamboul Train. He gave me a rosary and a nice little case for Vivien…
In ways of Escape, Greene provides a few more details from this meeting:
When I met Pope Paul VI, he mentioned that he had read the book [The Power and the Glory]. I told him that it had been condemned by the Holy Office.
‘Who condemned it?’ [Paul VI inquires]
‘Cardinal Pissardo.’
He [Paul VI] repeated the name with a wry smile and added, ‘Mr Greene, some parts of your books are certain to offend some Catholics, but you should pay no attention to that.
Years later, when aspects of the Church really did come under Greene’s fire, he could still look back without bitterness to this whole Holy Office censorial investigation ordeal.
I wonder whether any of the totalitarian states, whether of the right or the left, with which the Church of Rome is so often compared, would have treated me as gently when I refused to revise the book on the casuistical ground that the copyright was in the hands of my publishers. There was no public condemnation and the whole affair was allowed to drop into the peaceful oblivion which the Church wisely reserves for unimportant issues…
K.
